The educated Tanguero

12/11/2025
by Richard Stoll
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Francisco Lomuto

As a DJ, one naturally views the orchestral diversity in tango with different eyes than when considering this issue from a music historical perspective. Nevertheless, I often listen to tango music without any specific requirement of milonga suitability, and I … Continue reading →

26/04/2025
by Richard Stoll
Comments Off on Miguel Villasboas: En Australia

Miguel Villasboas: En Australia

In my last blog post, I talked about my love for vals and presented an international tanda in the non-tango genre. Today, I’d like to continue this theme and present a contemporary vals that has received international acclaim. We’ll hear … Continue reading →

26/01/2018
by Richard Stoll
Comments Off on Modern tangos in the style of old masters of the Cuarentas

Modern tangos in the style of old masters of the Cuarentas

In the post-EDO era, the performance styles of tango orchestras changed significantly. The orchestras became smaller, no longer primarily focused on dancers, and expanded their capabilities to encompass a broader spectrum of dynamics and emotional expression. New composers (e.g., Piazzolla) … Continue reading →

23/07/2015
by Richard Stoll
Comments Off on Roberto Firpo

Roberto Firpo

The first tango musicians at the beginning of the 20th century were amateur musicians without formal musical training (including Vicente Greco, Juan Maglio, Eduardo Arolas, and Angel Gregorio Villoldo), some of whom played in the tradition of the payadores, the … Continue reading →