As a DJ, one naturally views the orchestral diversity in tango with different eyes than when considering this issue from a music historical perspective. Nevertheless, I often listen to tango music without any specific requirement of milonga suitability, and I … Continue reading
Category Archives: Musicians
Miguel Villasboas: En Australia
In my last blog post, I talked about my love for vals and presented an international tanda in the non-tango genre. Today, I’d like to continue this theme and present a contemporary vals that has received international acclaim. We’ll hear … Continue reading
Julio De Caro – The Guardia Nueva
Let’s take a trip back to the early days of tango. The musicians of the so-called ‘Old Guard’ (‘Guardia Vieja’) were generally not formally trained instrumentalists with conservatory education. Consequently, their compositions tended to be rather simple, or the musicians … Continue reading
Florindo Sassone
Sassone (born 1912 – died 1982) is rarely heard at milongas. Why? When colleagues are asked about it, they often say that this artist is post-EDO and doesn’t belong at milongas. Is that really true? The idea for this blog … Continue reading
Sabina Olmos – Dime mi amor
Sometimes, when you least expect it, you make special discoveries. Like yesterday, when I was thinking about a tanda to “Dime mi Amor” by Juan D’Arienzo with Hector Maure. A search in my database turned up two alternative versions: a … Continue reading
Quiero verte una vez mas
What is a perfect tango? For me, it’s a song that is musically interesting both harmonically and rhythmically, features a melodic contrecanto, has a good dose of polyphony, is well-instrumented, and comes with lyrics that have the potential for the … Continue reading
Juan D’Arienzo (The King of Rhythm)
On the one hand, the goal of this blog is to give tangueros a better understanding of music and dance; on the other hand, a blog should also offer subjective and personal information. So, here are my personal impressions. When … Continue reading
26/01/2018
by Richard Stoll
Comments Off on Modern tangos in the style of old masters of the Cuarentas
Modern tangos in the style of old masters of the Cuarentas
In the post-EDO era, the performance styles of tango orchestras changed significantly. The orchestras became smaller, no longer primarily focused on dancers, and expanded their capabilities to encompass a broader spectrum of dynamics and emotional expression. New composers (e.g., Piazzolla) … Continue reading
José Maria Lucchesi
As a DJ, I occasionally look for rarely played orchestras, and in this search I had the opportunity to discover the orchestra of [name of orchestra], which certainly does not belong to the mainstream. Ifand Maria Lucchesi to stumble upon, … Continue reading
Roberto Firpo
The first tango musicians at the beginning of the 20th century were amateur musicians without formal musical training (including Vicente Greco, Juan Maglio, Eduardo Arolas, and Angel Gregorio Villoldo), some of whom played in the tradition of the payadores, the … Continue reading








